{"id":145705,"date":"2024-10-23T06:00:00","date_gmt":"2024-10-23T13:00:00","guid":{"rendered":"https:\/\/acousticguitar.com\/?p=145705"},"modified":"2024-10-25T11:36:43","modified_gmt":"2024-10-25T18:36:43","slug":"review-stephane-wrembels-triptych-triology-is-his-finest-work-yet","status":"publish","type":"post","link":"https:\/\/acousticguitar.com\/review-stephane-wrembels-triptych-triology-is-his-finest-work-yet\/","title":{"rendered":"Review: Stephane Wrembel\u2019s \u2018Triptych\u2019 Triology Is His Finest Work Yet"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"742\" src=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2024\/08\/Stephane-Wrembel-by-LawrenceSumulong-2022.jpg?resize=1024%2C742&#038;ssl=1\" alt=\"Stephane Wrembel, Photo: Lawrence Sumulong\" class=\"wp-image-145707\" srcset=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2024\/08\/Stephane-Wrembel-by-LawrenceSumulong-2022.jpg?resize=1024%2C742&amp;ssl=1 1024w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2024\/08\/Stephane-Wrembel-by-LawrenceSumulong-2022.jpg?resize=500%2C363&amp;ssl=1 500w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2024\/08\/Stephane-Wrembel-by-LawrenceSumulong-2022.jpg?resize=768%2C557&amp;ssl=1 768w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2024\/08\/Stephane-Wrembel-by-LawrenceSumulong-2022.jpg?resize=300%2C218&amp;ssl=1 300w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2024\/08\/Stephane-Wrembel-by-LawrenceSumulong-2022.jpg?w=1200&amp;ssl=1 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Stephane Wrembel, Photo: Lawrence Sumulong<\/figcaption><\/figure>\n\n\n\n<p>Widely regarded as perhaps the preeminent contemporary interpreter of and advocate for the music and approach of Django Reinhardt (1910\u20131953), New York area\u2013based French jazz guitarist, composer, and teacher Stephane Wrembel has really outdone himself with his latest project, a three-album release called <a href=\"https:\/\/amzn.to\/4f8WKwR\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Triptych<\/em> <em>Phase I<\/em><\/a>, <em><a href=\"https:\/\/amzn.to\/3Ugabm0\" target=\"_blank\" rel=\"noreferrer noopener\">Phase II<\/a>,<\/em> and <a href=\"https:\/\/amzn.to\/4ePQREv\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Phase<\/em> <em>III<\/em><\/a>.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/amzn.to\/4f8WKwR\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2024\/08\/Stephane-Wrembel-tryptic-phase-I.jpg?resize=1024%2C1024&#038;ssl=1\" alt=\"Stephane Wrembel and Jean-Michel Picl 'Triptych Phase I' album artwork\" class=\"wp-image-145708\" srcset=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2024\/08\/Stephane-Wrembel-tryptic-phase-I.jpg?resize=1024%2C1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2024\/08\/Stephane-Wrembel-tryptic-phase-I.jpg?resize=500%2C500&amp;ssl=1 500w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2024\/08\/Stephane-Wrembel-tryptic-phase-I.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2024\/08\/Stephane-Wrembel-tryptic-phase-I.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2024\/08\/Stephane-Wrembel-tryptic-phase-I.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2024\/08\/Stephane-Wrembel-tryptic-phase-I.jpg?w=1200&amp;ssl=1 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">Stephane Wrembel and Jean-Michel Pilc, <em>Triptych Phase I<\/em><\/figcaption><\/figure>\n\n\n\n<p>Of course, Wrembel has always been much more than just a <em>Djangoiste<\/em>, so the high quality of his writing and the variety of styles he tackles will not be a surprise to his many fans. Nor will the exceptional standard of his supporting musicians on this magnificent ensemble record. Joining Wrembel in the studio were, depending on the track, his current second guitarist Josh Kaye or previous holder of that slot, Thor Jensen; the rest of his rhythm section\u2014upright bassist Ari Folman-Cohen (Eduardo Belo appears on three tracks) and the fabulously creative drummer Nick Anderson; plus, on nearly half the tunes, Nick Driscoll on high reeds (clarinet, soprano sax, etc.); and, most prominently, acclaimed pianist and composer Jean-Michel Pilc, a fellow Frenchman (and current resident of Montr\u00e9al).&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Ecce Homo (feat. Jean-Michel Pilc)\" width=\"1290\" height=\"968\" src=\"https:\/\/www.youtube.com\/embed\/AiEMxcSxaIc?list=OLAK5uy_muTUeGrEzT4duLD0--Co4ITs2YNySFdvc\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Indeed, the prolific, incredibly expressive pianist is more than just a special accompanying guest here. He\u2019s on all 20 tracks, sharing the solo spotlight with Wrembel and the others\u2014everyone gets multiple chances to shine. Pilc contributes two solo improvisations; performs a third written by Wrembel (who got his start as a pianist); plays a pair of new group pieces; and also duets with Wrembel on <em>Triptych III\u2019<\/em>s lovely concluding opus, \u201cLife in Three Stages, Part III: Old Age, Grace and Wisdom.\u201d He clearly shares Wrembel\u2019s love of melody and interesting and at times unusual harmonies, as well as the guitarist\u2019s unpredictable, adventurous spirit. The telepathy among all the players is remarkable.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/amzn.to\/3Ugabm0\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2024\/08\/Stephane-Wrembel-Triptych-Phase-II.jpg?resize=1024%2C1024&#038;ssl=1\" alt=\"Stephane Wrembel and Jean-Michel Pilc 'Triptych Phase II' album artwork\" class=\"wp-image-145711\" srcset=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2024\/08\/Stephane-Wrembel-Triptych-Phase-II.jpg?resize=1024%2C1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2024\/08\/Stephane-Wrembel-Triptych-Phase-II.jpg?resize=500%2C500&amp;ssl=1 500w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2024\/08\/Stephane-Wrembel-Triptych-Phase-II.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2024\/08\/Stephane-Wrembel-Triptych-Phase-II.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2024\/08\/Stephane-Wrembel-Triptych-Phase-II.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2024\/08\/Stephane-Wrembel-Triptych-Phase-II.jpg?w=1200&amp;ssl=1 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">Stephane Wrembel and Jean-Michel Pilc, <em>Triptych Phase II<\/em><\/figcaption><\/figure>\n\n\n\n<p>Wrembel fans expecting a few Django excursions will be happy: five of his tunes are scattered across the three albums, including the ubiquitous but always welcome gypsy-jazz classic \u201cMinor Swing\u201d (with astonishing solos from Wrembel and Pilc); the similarly swinging \u201cP\u00eache \u00e1 la Mouche\u201d; the beautiful ballad \u201cAnouman\u201d; \u201cDouce Ambiance,\u201d which opens with a propulsive rhythm that reminds me of Pink Floyd\u2019s \u201cInterstellar Overdrive\u201d before dropping deftly into the Django tune; and the always exciting, rhythm-thumping \u201cFl\u00e8che d\u2019Or.\u201d&nbsp;<\/p>\n\n\n\n<p>But most of the pieces are new compositions by Wrembel or Pilc (a couple are older works by Wrembel), and their stylistic range is immense\u2014even within each tune. You never know when a gloriously melodic solo will suddenly give way to temporarily jarring dissonance from Pilc or sharp, angular shredding from Wrembel. (I thought of Frank Zappa in a couple of places.) Or a unison passage dissolves into subtle, trance-inducing bass and\/or drum excursions for a spell. Or Driscoll\u2019s sax or clarinet dances elegantly above the fray.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/amzn.to\/4ePQREv\" target=\"_blank\" rel=\"noreferrer noopener\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2024\/08\/Stephane-Wrembel-Triptych-Phase-III.jpg?resize=1024%2C1024&#038;ssl=1\" alt=\"Stephane Wrembel and Jean-Michel Pilc 'Triptych Phase III album artwork\" class=\"wp-image-145709\" srcset=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2024\/08\/Stephane-Wrembel-Triptych-Phase-III.jpg?resize=1024%2C1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2024\/08\/Stephane-Wrembel-Triptych-Phase-III.jpg?resize=500%2C500&amp;ssl=1 500w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2024\/08\/Stephane-Wrembel-Triptych-Phase-III.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2024\/08\/Stephane-Wrembel-Triptych-Phase-III.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2024\/08\/Stephane-Wrembel-Triptych-Phase-III.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2024\/08\/Stephane-Wrembel-Triptych-Phase-III.jpg?w=1200&amp;ssl=1 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">Stephane Wrembel and Jean-Michel Pilc, <em>Triptych Phase III<\/em><\/figcaption><\/figure>\n\n\n\n<p>I hear a lot of Spanish influence in a few of Wrembel\u2019s pieces\u2014and by extension some Middle Eastern flavors. There is plenty of air in all the arrangements, allowing every voice to be heard clear as day, whether soloing or not. And when the spotlight moments then coalesce back into group passages, as they often do, it\u2019s pure magic: the group mind at work.<\/p>\n\n\n\n<p>As for the guitars, Wrembel plays models made by Oregon luthier Bob Holo; and Thor Jensen and Josh Kaye use axes made by Jerome Duffell. Both luthiers specialize in gypsy jazz instruments. (Jensen also plays a Fender Telecaster on one tune.)&nbsp;<\/p>\n\n\n\n<p>The three albums of <em>Triptych<\/em> are available individually or as a group. I recommend the latter, to hear the full range of this project. In an interview earlier this year, Wrembel described <em>Triptych<\/em> as \u201cmy masterpiece.\u201d I heartily agree. <\/p>\n\n\n\n<div>\n<a href=\"https:\/\/store.acousticguitar.com\/products\/no-349-nov-dec-2024\" name=\"magazine\"><img data-recalc-dims=\"1\" decoding=\"async\" style=\"width: 150px; height: 198px; margin: 0px 20px 10px 0px;\" src=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2024\/08\/001_349_Cover-150px.jpg?w=1290&#038;ssl=1\" alt=\"Acoustic Guitar magazine cover for issue 348\"><\/a>\n<p style=\"font-family: sans-serif; margin: 0px 0px 15px 0px;\">This article originally appeared in the <a href=\"https:\/\/store.acousticguitar.com\/products\/no-349-nov-dec-2024\">November\/December 2024<\/a> issue of <em>Acoustic Guitar<\/em> magazine.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The guitarist-composer has outdone himself with his latest project, a three-album release called \u2018Triptych Phase I,\u2019 \u2018Phase II,\u2019 and \u2018Phase III.\u2019\u00a0<\/p>\n","protected":false},"author":7,"featured_media":145707,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"The guitarist-composer has outdone himself with his latest project, a three-album release called \u2018Triptych Phase I,\u2019 \u2018Phase II,\u2019 and \u2018Phase III.\u2019\u00a0","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[885],"tags":[1954],"ppma_author":[1539],"class_list":["post-145705","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-album-reviews","tag-november-december-2024"],"blocksy_meta":[],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2024\/08\/Stephane-Wrembel-by-LawrenceSumulong-2022.jpg?fit=1200%2C870&ssl=1","authors":[{"term_id":1539,"user_id":7,"is_guest":0,"slug":"blairstringletter-com","display_name":"Blair Jackson","avatar_url":{"url":"https:\/\/acousticguitar.com\/wp-content\/uploads\/2015\/11\/blair-jackson-headshot.png","url2x":"https:\/\/acousticguitar.com\/wp-content\/uploads\/2015\/11\/blair-jackson-headshot.png"},"user_url":"","last_name":"Jackson","first_name":"Blair","job_title":"","description":"Blair Jackson is the author of the definitive biography <i>Garcia: An American Life<\/i> and was senior editor at <i>Acoustic Guitar<\/i> before retiring in 2023."}],"_links":{"self":[{"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/posts\/145705","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/comments?post=145705"}],"version-history":[{"count":5,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/posts\/145705\/revisions"}],"predecessor-version":[{"id":146152,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/posts\/145705\/revisions\/146152"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/media\/145707"}],"wp:attachment":[{"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/media?parent=145705"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/categories?post=145705"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/tags?post=145705"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/ppma_author?post=145705"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}