{"id":145380,"date":"2024-07-22T09:02:25","date_gmt":"2024-07-22T16:02:25","guid":{"rendered":"https:\/\/acousticguitar.com\/?p=145380"},"modified":"2024-07-22T09:02:31","modified_gmt":"2024-07-22T16:02:31","slug":"remembering-happy-traum-1938-2024","status":"publish","type":"post","link":"https:\/\/acousticguitar.com\/remembering-happy-traum-1938-2024\/","title":{"rendered":"Remembering Happy Traum (1938\u20132024)"},"content":{"rendered":"\n<p>Back in 2022, I got a package in the mail with a new CD of 13 songs sung and played by Happy Traum and 18 of his friends and neighbors in the Hudson Valley region of New York, some of whom, like John Sebastian, he\u2019d been making music with for 60+ years.&nbsp;<\/p>\n\n\n\n<p>\u201cDamn,\u201d I remember thinking, \u201che\u2019s 84 years old and he sounds better than ever!\u201d Not just the familiar, rhythmic fingerstyle guitar that he learned from Brownie McGhee and fused with the effervescence of John Hurt. Not just the tuneful, rousing interplay of voices and timbres from a pantheon of roots music virtuosos. But Happy\u2019s singing voice\u2014strong, inviting, reflective, and above all, narrative, drawing me into the story of each song.<\/p>\n\n\n\n<p>The last time I spoke to Happy was shortly after that CD was released two years ago. But by the merest chance, I had been listening to it while cooking dinner the day he passed away last week. When I got the news, I was looking down at the CD sleeve and reading Happy\u2019s brief but characteristically modest inscription: \u201cI hope you enjoy these songs.\u201d<\/p>\n\n\n\n<p>Happy Traum was a Renaissance man in both senses of the term, a person of wide and deep interests and pursuits and a man capable of invention and reinvention throughout the long life that just ended after 86 eventful years. He accomplished what many people yearn for\u2014a balanced life, in which art, commerce, family, and friends peacefully and fruitfully bonded and blended.&nbsp;<\/p>\n\n\n\n<p>Performer, artist, author, editor, producer, and entrepreneur, Happy was above all a teacher. Homespun Instruction, the business he and his wife, Jane, launched to make practice tapes for his students when Happy was away touring, soon became a complex and demanding enterprise in its own right.<\/p>\n\n\n\n<p>It would be no exaggeration to see a parallel between the Lomax family\u2019s accomplishments in recording and preserving the legacy of American roots music and the Traums\u2019 brilliance in sharing the craft and techniques of the generations of leading American roots musicians who drew deeply from the Lomax well. It\u2019s easy to forget the relatively modest access we had to such information before the advent of the worldwide web and in the process forget how groundbreaking the Traums\u2019 work had been.<\/p>\n\n\n\n<p>That 2022 CD, by the way, is called&nbsp;<em><a href=\"https:\/\/amzn.to\/46iOkiQ\">There\u2019s a Bright Side Somewhere<\/a><\/em>.&nbsp;If you haven\u2019t heard it yet, now would be a good time. Thanks, Happy, for the songs.&nbsp;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><strong>We have made the <a href=\"https:\/\/store.acousticguitar.com\/products\/no-331-november-december-2021\">November\/December 2021 issue of <em>Acoustic Guitar<\/em> magazine available for free download.<\/a> It includes a feature story on Happy, plus a transcription of his take on \u201cWorried Blues.\u201d<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/store.acousticguitar.com\/products\/no-331-november-december-2021\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/store.acousticguitar.com\/cdn\/shop\/products\/001_331_Cover_720x.jpg?w=1290&#038;ssl=1\" alt=\"\"\/><\/a><\/figure>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Happy Traum was a Renaissance man in both senses of the term, a person of wide and deep interests and pursuits and a man capable of invention and reinvention throughout the long life that just ended after 86 eventful years. <\/p>\n","protected":false},"author":18,"featured_media":145386,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"Happy Traum was a Renaissance man in both senses of the term, a person of wide and deep interests and pursuits and a man capable of invention and reinvention throughout the long life that just ended after 86 eventful years. ","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[1696],"tags":[],"ppma_author":[1537],"class_list":["post-145380","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music-history-artist-remembrances"],"blocksy_meta":[],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2024\/07\/happy-traum-franco-vogt-image.jpg?fit=1000%2C628&ssl=1","authors":[{"term_id":1537,"user_id":18,"is_guest":0,"slug":"davidstringletter-com","display_name":"David Lusterman","avatar_url":"https:\/\/secure.gravatar.com\/avatar\/a37d82e0a2a9fc02ed5fdb1a1343c9a9?s=96&d=mm&r=g","user_url":"","last_name":"Lusterman","first_name":"David","job_title":"","description":"I am a publisher by profession and a lifelong musician. I launched <i>Acoustic Guitar<\/i> magazine in 1990. I now enjoy the bonus of working closely with my two children, Lyzy and Joey."}],"_links":{"self":[{"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/posts\/145380","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/comments?post=145380"}],"version-history":[{"count":5,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/posts\/145380\/revisions"}],"predecessor-version":[{"id":145394,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/posts\/145380\/revisions\/145394"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/media\/145386"}],"wp:attachment":[{"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/media?parent=145380"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/categories?post=145380"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/tags?post=145380"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/acousticguitar.com\/wp-json\/wp\/v2\/ppma_author?post=145380"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}