{"id":137965,"date":"2023-05-18T06:00:00","date_gmt":"2023-05-18T13:00:00","guid":{"rendered":"https:\/\/acousticguitar.com\/?p=137965"},"modified":"2023-05-31T20:09:55","modified_gmt":"2023-06-01T03:09:55","slug":"do-pickguards-impact-guitar-tone","status":"publish","type":"post","link":"https:\/\/acousticguitar.com\/do-pickguards-impact-guitar-tone\/","title":{"rendered":"Do Pickguards Impact Guitar Tone?"},"content":{"rendered":"\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>Whether or not pickguards affect guitar tone is an interesting topic, and opinions vary in the field of guitar makers.<\/p>\n\n\n\n<p><strong><em>Q:<\/em> <\/strong>How does a pickguard stuck to the top of the guitar affect its tone? I\u2019m wondering if it restricts movement, causing that area of the soundboard to be less active. <br>\u2014<em>Hugh Hinde<\/em><\/p>\n<\/blockquote>\n\n\n\n<p><strong><em>A:<\/em> <\/strong> I have always built my instruments without pickguards, but most of the guitars I repair have them. Pickguards are known culprits for a handful of issues, most notably the infamous B-string crack that is the all-too-frequent result of the plastic guard shrinking over time, and splitting the adjacent wood of the top. Guards have varied in thickness across different eras, makes, and models. I\u2019ve worked on paper-thin Martin pickguards, and other guards that were almost comically thick.<\/p>\n\n\n\n<p>I feel that the average factory guitar is not built lightly enough in the upper bout to be substantially affected by a fairly thin pickguard, though a carefully tuned luthier-built instrument could certainly be. Mass and stiffness would be the main factors contributing to a change in tone. In most cases, the thin plastic guards on most flattops are very light and quite flexible, and also usually glued on an area of the top that is braced quite heavily to reinforce the soundhole. In the case of the average Taylor or Martin, I cannot honestly say that I\u2019ve noticed a meaningful difference in tone when the guard is removed for repair. A <a href=\"https:\/\/reverb.grsm.io\/ag?query=1960s-Gibson-Hummingbird\" target=\"_blank\" rel=\"noreferrer noopener\">1960s Gibson Hummingbird<\/a> I worked on was a different story, but that guard was nearly 1\/8-inch-thick flexible vinyl, and weighed quite a bit.<\/p>\n\n\n\n<p>Unfortunately, most guitars do not permit an easy comparison with and without their pickguards, as they are usually glued on, and in many cases, painted in underneath the lacquer itself. Whatever their effect may be, it is part of the overall tonal picture that defines these classic models, and I\u2019ve certainly never listened to a good prewar Martin that I thought would be improved by removing its pickguard!<\/p>\n\n\n\n<div style=\"display: inline-block; padding: 0px 0px 0px 0px; margin: -5px 5% 0px 5%;\"><a href=\"https:\/\/store.acousticguitar.com\/products\/no-339-march-april-2023\"><img data-recalc-dims=\"1\" decoding=\"async\" style=\"width: 150px; height: 198px; margin: 0px 20px 10px 0px;\" src=\"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2015\/11\/001_339_Cover-150px.jpg?w=1290&#038;ssl=1\"><\/a>\n<p style=\"font-family: sans-serif; margin: 0px 0px 15px 0px;\">This article originally appeared in the <a href=\"https:\/\/store.acousticguitar.com\/products\/no-339-march-april-2023\">March\/April 2023<\/a> issue of <em>Acoustic Guitar<\/em> magazine.<\/p>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Whether or not pickguards affect guitar tone is an interesting topic, and opinions vary in the field of guitar makers.<\/p>\n","protected":false},"author":5,"featured_media":134942,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"Whether or not pickguards affect tone is an interesting topic, and opinions vary in the field of guitar makers.","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[1145],"tags":[663,1606],"ppma_author":[1583],"class_list":["post-137965","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-guitar-care-and-repair","tag-ask-the-expert","tag-march-april-2023"],"blocksy_meta":[],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/i0.wp.com\/acousticguitar.com\/wp-content\/uploads\/2023\/01\/daniel-barnes-mRV23Xtq42A-unsplash-.jpg?fit=750%2C563&ssl=1","authors":[{"term_id":1583,"user_id":0,"is_guest":1,"slug":"martin-keith","display_name":"Martin Keith","avatar_url":{"url":"https:\/\/acousticguitar.com\/wp-content\/uploads\/2022\/03\/Martin-Keith-by-Meagen-Wells.jpg","url2x":"https:\/\/acousticguitar.com\/wp-content\/uploads\/2022\/03\/Martin-Keith-by-Meagen-Wells.jpg"},"user_url":"https:\/\/www.martinkeithguitars.com\/","last_name":"Keith","first_name":"Martin","job_title":"","description":"Martin Keith is a luthier, repair and restoration expert, and working musician based in Woodstock, New York. 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